Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place.
This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the a...
| Publicado en: | Organised Sound Vol. 28; no. 2; pp. 206 - 218 |
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| Formato: | Artículo |
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Cambridge University Press
Aug2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=173033646&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 173033646 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13557718 G0N jtl: Organised Sound issn: 13557718 maglogo: N pubinfo: dt: Aug2023 vid: 28 iid: 2 pid: 15979 pub: Cambridge University Press artinfo: ui: 173033646 10.1017/S1355771823000377 ppf: 206 ppct: 12 formats: tig: atl: Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place. aug: au: Petersson, Mattias affil: Luleå University of Technology, Piteå, Sweden Royal College of Music, Stockholm, Sweden su: Computer programming Quartets Computer music Musical composition Musicians sug: subj: Computer programming Quartets Computer music Musical composition Musicians ab: This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the affordances of the organ network through the concept of Tele-Copresence. By outsourcing certain dimensions of the parameter space of the Paragraph language to other members of the quartet, a shared instrumentality is enabled, where the organs are collaboratively controlled by means of this system. Rooted in a personal composer-performer practice and studied from the perspective of the live coder, the Paragraph system, adapted to the TCP/Indeterminate Place environment, can be understood as a modular system of human and non-human agents, into which the other musicians are patched. The distributed parameter space utilised, thus resembles a shared cantus firmus , a foundational, but dynamically changing, ecology for the live coder to play within. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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