Desencuentros en un proyecto nacional: El último juego de Gloria Guardia.

This article analyses the ideological inconsistencies which undermine the ideological tenets about Panama presented by the narrators of El ültimo juego. The analysis of these discrepancies focuses on two levels: the public and the private. The public space is mostly concerned with the Panama Canal....

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Publicado en:Bulletin of Hispanic Studies (1475-3839) Vol. 82; no. 2; pp. 195 - 206
Autor principal: Grau-Llevería, Elena
Formato: Artículo
Publicado: Liverpool University Press / Journals Apr2005
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        Ideology
        Inconsistency (Logic)
        Social conflict
        Ideological conflict
        Man-woman relationships
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          Ideology
          Inconsistency (Logic)
          Social conflict
          Ideological conflict
          Man-woman relationships
          Behavior
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        This article analyses the ideological inconsistencies which undermine the ideological tenets about Panama presented by the narrators of El ültimo juego. The analysis of these discrepancies focuses on two levels: the public and the private. The public space is mostly concerned with the Panama Canal. The private space focuses on the relationship of the protagonist with the two women in his life, who symbolize different options for the nation, neither of which is viable, for contrasting reasons. Having analysed these different national alternatives, the article proposes the existence of an implicit narrator which not only removes the canal problem as a national project from its central focus, but implies a revision of social and sexual codes of behaviour by the dominant group within Panamanian society.
        El artículo analiza las inconsistencias que minan las propuestas ideológicas sobre la nación panameña presentadas por los narradores. El estudio de estas discrepancias se divide en dos planos: el público y el privado. El espacio público está dominado por un discurso que gira constantemente alrededor del Canal de Panama. En el espacio privado, el análisis se centra en la relación que el protagonista mantiene con las dos mujeres de su vida. Mujeres que representan opciones nacionales inviables por motivos opuestos. Una vez analizada la desarticulación de las propuestas nacionales, se propone la existencia de un narrador implIcito que hace posible no solo que se desintegre la centralidad de la problemática canalera en la formación de un proyecto nacional sino que implica una revision de los códigos de comportamiento social y sexual de la clase dominante panameña.
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