TOWARDS A METHODOLOGY FOR INTERPRETING VISUAL IMAGES AS CYBERNETIC SYSTEM: LACAN AND DELEUZE.
This exposition endeavors to outline a theoretical framework for a methodology to interpret visual images that draws on cybernetics, semiotics, psychoanalysis and philosophical ideas. Using images, aesthetics and artistic practices as a means of generating new understanding requires translating, dec...
| Publicado en: | Culture Crossroads Vol. 22; pp. 47 - 58 |
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| Formato: | Artículo |
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University in Riga, Latvian Academy of Culture
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=173215962&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 173215962 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 16913019 KSTW jtl: Culture Crossroads issn: 16913019 maglogo: N pubinfo: dt: 2023 vid: 22 pid: 31734 pub: University in Riga, Latvian Academy of Culture artinfo: ui: 173215962 10.55877/cc.vol22.437 ppf: 47 ppct: 11 formats: tig: atl: TOWARDS A METHODOLOGY FOR INTERPRETING VISUAL IMAGES AS CYBERNETIC SYSTEM: LACAN AND DELEUZE. aug: au: Inkol, Cecilia affil: York University in Toronto, Canada su: Dream interpretation Imaging systems Cybernetics Natural languages Dreams sug: subj: Dream interpretation Imaging systems Cybernetics Natural languages Dreams keyword: art-based research cybernetics visual language ab: This exposition endeavors to outline a theoretical framework for a methodology to interpret visual images that draws on cybernetics, semiotics, psychoanalysis and philosophical ideas. Using images, aesthetics and artistic practices as a means of generating new understanding requires translating, deciphering and interpreting those artistic products and/or processes. How can one decipher the system of visual language that underlies artistic productions? I suggest that cybernetics is requisite for such an endeavor. Cybernetic theory is the science of relations within a system, taking as its problematic the relation between a system and its productions or output; in some instances, it studies how the productions of a system influence the system itself. This exposition endeavors to articulate aesthetics or artistic works in terms of a visual language and as a cybernetic enterprise in the context of art-based research by drawing on the ideas of Lacan and Deleuze. For Lacan, aesthetics exists as a primary mode of discourse for the articulations of the unconscious, as evidenced in images in dreams, art and fantasy. Lacan is renowned for his dictum that the unconscious and its productions are structured like a language, but the kind of structure of meaning at work in the unconscious is less related to the structural grammar of a natural language than the syntax of mathematics and cybernetics. Drawing on Lacanian dream analysis, I evince how such an approach could be applied to aesthetic phenomena. Deleuze presents a semiotic theory, a theory of signs which evinces the generation of novel meaning in the unconscious; it can be said to be cybernetic in the way that it exists in a state of continual evolution, the output produced by the system engendering transformation in the system itself. Deleuze offers a framework for how the work of art or aesthetic phenomenon can be translated into new knowledge through the process of entrainment with signs. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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