Shooting the dragon: How visual representations of Welshness in photography have developed and are changing.
For decades, the natural landscape and industry have been the central tropes of visual Welshness. But the decline of industry and its prolonged traumatic effects on the landscape have rendered some of the key established visual images of Wales redundant, particularly in a contemporary context. This...
| Publicado en: | Journal of European Popular Culture Vol. 14; no. 1; pp. 71 - 93 |
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| Formato: | Artículo |
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Intellect Ltd.
Apr2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=173345489&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 173345489 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20406134 90BD jtl: Journal of European Popular Culture issn: 20406134 maglogo: N pubinfo: dt: Apr2023 vid: 14 iid: 1 pid: 12270 pub: Intellect Ltd. artinfo: ui: 173345489 10.1386/jepc_00055_1 ppf: 71 ppct: 22 formats: fmt: – @attributes: type: T – @attributes: type: P size: 2.5MB tig: atl: Shooting the dragon: How visual representations of Welshness in photography have developed and are changing. aug: au: Macdonald, Ellie affil: University of Stirling sug: keyword: identity landscape nationalism photography Wales Welsh ab: For decades, the natural landscape and industry have been the central tropes of visual Welshness. But the decline of industry and its prolonged traumatic effects on the landscape have rendered some of the key established visual images of Wales redundant, particularly in a contemporary context. This article traces the relationship between photography and Welsh national identities, examines the role of institutional gatekeeping in Welsh photography and highlights the innovative use of online collecting and commissioning of photographic images which is shifting the discourse around what, and who, constitutes photographic Welshness in the twenty-first century. In doing so, it contributes to the paucity of literature on the topic of photographic institutions and archives within Wales and hopes to raise awareness around the growing diversity of new Welsh photography and its contribution to more contemporary and dynamic Welsh identities. This article is the result of a doctoral thesis that represents a transdisciplinary inquiry into expressions of national identity present in photography generated in and of Wales. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of European Popular Culture is the property of Intellect Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of European Popular Culture holder: Intellect Ltd. dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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