The Flying Spirit of Movement within These Solid Objects: Marie Menken's Home Movies.
Marie Menken (1909-1970) was one of the most influential and beloved filmmakers of the American avant-garde, a liberatory inspiration for several subsequent generations of artists. Her films were characterized by wildly kinetic handheld camerawork, which have largely been understood through the lens...
| Publicado en: | Film Criticism Vol. 47; no. 1; pp. 1 - 17 |
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| Formato: | Artículo |
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Film Criticism
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=173495322&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 173495322 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01635069 53B jtl: Film Criticism issn: 01635069 maglogo: N pubinfo: dt: 2023 vid: 47 iid: 1 pid: 8220 pub: Film Criticism artinfo: ui: 173495322 10.3998/fc.4731 ppf: 1 ppct: 16 formats: fmt: @attributes: type: P size: 1.1MB tig: atl: The Flying Spirit of Movement within These Solid Objects: Marie Menken's Home Movies. aug: au: Hart, Adam Charles su: Menken, Marie Home movies Filmmakers Experimental films American films sug: subj: Menken, Marie Home movies Filmmakers Experimental films American films ab: Marie Menken (1909-1970) was one of the most influential and beloved filmmakers of the American avant-garde, a liberatory inspiration for several subsequent generations of artists. Her films were characterized by wildly kinetic handheld camerawork, which have largely been understood through the lens of those she inspired. This essay analyzes Menken's films in terms more specific to her, focusing on her broadly inclusive, often structuring celebration of motion in all its forms. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Film Criticism is the property of Film Criticism and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Film Criticism holder: Film Criticism dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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