Devoted, Pious, Frivolous and Irreverent Women: The Representation of Female Religiosity in Spanish Painting, 1868–1917.
The aim of this article is to show how Spanish painting of the nineteenth century helped to construct the narrative of a female religiosity based on sentiment, which was specific to women. This narrative was not free from misogyny because women's piety was often diluted, converted into something sup...
| Publicado en: | History Vol. 108; no. 383; pp. 484 - 528 |
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| Formato: | Artículo |
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Wiley-Blackwell
Dec2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=173604250&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 173604250 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182648 HSY jtl: History issn: 00182648 maglogo: Y pubinfo: dt: Dec2023 vid: 108 iid: 383 pid: 480 pub: Wiley-Blackwell artinfo: ui: 173604250 10.1111/1468-229X.13376 ppf: 484 ppct: 44 formats: fmt: – @attributes: type: T – @attributes: type: C – @attributes: type: P size: 5.4MB tig: atl: Devoted, Pious, Frivolous and Irreverent Women: The Representation of Female Religiosity in Spanish Painting, 1868–1917. aug: au: RÍOS LLORET, ROSA ELENA su: Spaniards Catholic women Sentimentalism Nineteenth century Religiousness sug: subj: Spaniards Catholic women Sentimentalism Nineteenth century Religiousness keyword: anticlericalism lay Catholic women painting piety religiosity representation sentimentalism woman ab: The aim of this article is to show how Spanish painting of the nineteenth century helped to construct the narrative of a female religiosity based on sentiment, which was specific to women. This narrative was not free from misogyny because women's piety was often diluted, converted into something superficial. It was brimming with exaggerated sentimentalism, the product of superstition and lacking in careful reflection, without an intellectual religious discourse – which women, by their nature, could never reach. Women's involvement in religion and catholic movements was not as insubstantial, sentimental or naïve as it has been presented or made out to be; but this reality was not reflected in painting. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of History is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: History holder: Wiley-Blackwell dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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