Taleng Phai: A Chakrabhand Puppet Play: Characteristics of Performance Literature.
This research examines literary techniques used in the adaptation of Lilit Taleng Phai to a Chakrabhand puppet play and analyzes characteristics of Taleng Phai: A Chakrabhand Puppet Play as performance literature. The study reveals that four literary techniques were used to make this adaptation: 1)...
| Publicado en: | Manusya: Journal of Humanities Vol. 25; no. 1; pp. 1 - 23 |
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| Formato: | Artículo |
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Elsevier B.V.
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | This research examines literary techniques used in the adaptation of Lilit Taleng Phai to a Chakrabhand puppet play and analyzes characteristics of Taleng Phai: A Chakrabhand Puppet Play as performance literature. The study reveals that four literary techniques were used to make this adaptation: 1) adaptation of the content; 2) the characters; 3) the pattern; and 4) the presentation. These adaptations contribute to the characteristics of puppet play as performance literature through five conventions: 1) use of an invocation for puppet performance; 2) inclusion of puppet songs; 3) insertion of jokes; 4) method of delivery of puppets to the stage; and 5) not ending with the death of a character. Importantly, the play includes three innovations of puppet performance: 1) the creation of a puppet play from historical literature; 2) the creation of an atmosphere in a puppet performance; and 3) the creation of songs and a singing format. |
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