"Both Sides Now": Folk-Rock Authorship, Interpretation, and the Cover Version.
Many 1960s folk-rock hits were not original, but neither were they referred to as cover versions. Cover versions were "inauthentic," but folk-rock repertoire was defined by songs by Bob Dylan and Joni Mitchell, interpreted by performers like the Byrds and Judy Collins. "The House of the Rising Sun"...
| Publicado en: | Popular Music & Society Vol. 46; no. 4; pp. 371 - 392 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=173859069&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 173859069 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: Oct2023 vid: 46 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 173859069 10.1080/03007766.2023.2252267 ppf: 371 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 371KB tig: atl: "Both Sides Now": Folk-Rock Authorship, Interpretation, and the Cover Version. aug: au: Bannister, Matthew affil: Media Arts, Te Pūkenga/Wintec, Hamilton, New Zealand su: Rock music Sunrise & sunset Authorship Folk culture Folk singers sug: subj: Rock music Sunrise & sunset Authorship Folk culture Folk singers keyword: 1960s folk rock authenticity authorship cover versions ethnicity gender ab: Many 1960s folk-rock hits were not original, but neither were they referred to as cover versions. Cover versions were "inauthentic," but folk-rock repertoire was defined by songs by Bob Dylan and Joni Mitchell, interpreted by performers like the Byrds and Judy Collins. "The House of the Rising Sun" exemplifies adaptation via "trad. arr."; "Mr. Tambourine Man" demonstrates "folk process" blending with Tin Pan Alley; and "Both Sides Now" highlights early rock critics' questioning of folk values via discussion of interpretive women folksingers. The way each song was framed within contemporary cultural discourse highlights how "folk" or rock as "folk culture" acted as an ideological smokescreen for competing versions of rock music. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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