Co-producing knowledge and Morocco's musical heritage: a relational paradigm for colonial scholarship.

The musical dimensions of the Moroccan Protectorate invite us to rethink certain tenets of colonial history, especially lingering nineteenth-century attitudes about 'indigenous' populations as 'savage'. By the mid-twentieth century, efforts to comprehend Moroccan music were far less motivated by dom...

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Bibliographic Details

Published in:	Journal of North African Studies Vol. 29; no. 1; pp. 84 - 131
Main Author:	Pasler, Jann
Format:	Article
Published:	Taylor & Francis Ltd Jan2024
Subjects:	Morocco Scholarly method City dwellers Praxis (Process) Music festivals History of colonies Expertise
Online Access:	View this record in EBSCOhost