Chords baited over covert bridges: jamming alive a collaborative multiverse.
Jamming is one of those Janus-faced words that is its own contronym. Just as cleaving can refer to splitting things apart or uniting them together, to jam in jazz is to perform improvisational pieces with a whole band; but it also means to wedge shut, breakdown and, in the case of radio jamming, ref...
| Publicado en: | New Writing: The International Journal for the Practice & Theory of Creative Writing Vol. 20; no. 4; pp. 459 - 471 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Nov2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174190930&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174190930 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14790726 V4D jtl: New Writing: The International Journal for the Practice & Theory of Creative Writing issn: 14790726 maglogo: N pubinfo: dt: Nov2023 vid: 20 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 174190930 10.1080/14790726.2023.2187846 ppf: 459 ppct: 12 formats: fmt: @attributes: type: P size: 1008KB tig: atl: Chords baited over covert bridges: jamming alive a collaborative multiverse. aug: au: Webster, Mags Shankar, Ravi affil: Doctorate in Creative Writing from Murdoch University. Department of English, Tufts University, Boston, USA. su: Jazz Music improvisation Radio interference Linguistics Australia India sug: subj: Australia India Jazz Music improvisation Radio interference Linguistics keyword: Collaboration play poetry ab: Jamming is one of those Janus-faced words that is its own contronym. Just as cleaving can refer to splitting things apart or uniting them together, to jam in jazz is to perform improvisational pieces with a whole band; but it also means to wedge shut, breakdown and, in the case of radio jamming, refers to a mode of saturating the airwaves with white noise or false information. In this two-part article, a British Australian poet and Indian American writer present a collaborative jam session which takes up all of these meanings through a work of linked verse that explores creative (dis)location, silence, white and black noise, and the impinging of multiple cultures on one’s aesthetic imagination and physical identity in the world. Informing their individual and linked practices through the execution of this work is a reflection on the mode, process and tradition of collaborative poetic works. It argues the worth of a collaborative yet distanced practice, which may mirror the dislocation of spoken dialogue, but also magnifies the trust each participant places in each other, a trust intensified by the conceptual and linguistic risks taken. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of New Writing: The International Journal for the Practice & Theory of Creative Writing is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: New Writing: The International Journal for the Practice & Theory of Creative Writing holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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