Laugh—cry, eat—drink, dance! Tracing belonging through cartographies of joy.
Summary: This article explores joy, identity, and belonging at the New Orleans Jazz and Heritage Festival through an ethnographic project inviting festgoers and staff members to draw, sketch, or map their experiences and journeys through festival landscapes. Building on scholarship in visual, humani...
| Publicado en: | Anthropology & Humanism Vol. 48; no. 2; pp. 266 - 285 |
|---|---|
| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Wiley-Blackwell
Dec2023
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174271442&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174271442 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15599167 4U6E jtl: Anthropology & Humanism issn: 15599167 maglogo: Y pubinfo: dt: Dec2023 vid: 48 iid: 2 pid: 480 pub: Wiley-Blackwell artinfo: ui: 174271442 10.1111/anhu.12474 ppf: 266 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: C – @attributes: type: P size: 14.4MB tig: atl: Laugh—cry, eat—drink, dance! Tracing belonging through cartographies of joy. aug: au: Regis, Helen A. Walton, Shana affil: Department of Geography & Anthropology, Howe‐Russell‐Kniffen, Louisiana State University, Baton Rouge LA,, USA Department of English, Nicholls State University, Thibodaux LA,, USA su: African American music Jazz festivals Cartography Joy Cultural property sug: subj: African American music Jazz festivals Cartography Joy Cultural property keyword: belonging drawing joy map‐making New Orleans Jazz and Heritage Festival race visual methods ab: Summary: This article explores joy, identity, and belonging at the New Orleans Jazz and Heritage Festival through an ethnographic project inviting festgoers and staff members to draw, sketch, or map their experiences and journeys through festival landscapes. Building on scholarship in visual, humanistic, and post‐humanist anthropology, we view map‐making as an emergent strategy for performative epistemology, a way of making and thinking together. In a festival with a strong visual culture that centers African American music and cultural heritage, drawings often reflect racialized landscapes and subjectivities. Maps reveal the centrality of affect in festival experiences while affording insights into what makes joy complicated. For some, festival sociality brings those tensions to the fore while making it possible for others to imagine a world otherwise. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Anthropology & Humanism is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Anthropology & Humanism holder: Wiley-Blackwell dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
|---|