Stage, Street, Garden, or Parlour: The Ubiquitous Popular Songs of Late Georgian England.
This article explores the ubiquity of popular songs across print traditions, performance venues, and social classes in England during the late Georgian era. It examines the formatting and presentation of an eighteenth-century chapbook, contextualizing it within contemporaneous print cultures before...
| Publicado en: | Popular Music & Society Vol. 46; no. 5; pp. 500 - 515 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
December 2023
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174390145&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174390145 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: December 2023 vid: 46 iid: 5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 174390145 10.1080/03007766.2023.2275836 ppf: 500 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 467KB tig: atl: Stage, Street, Garden, or Parlour: The Ubiquitous Popular Songs of Late Georgian England. aug: au: Bartlett, Georgina affil: University College, University of Oxford, Oxford, UK su: Popular music Chapbooks Opera Domestic space Social classes Print culture England sug: subj: England Popular music Chapbooks Opera Domestic space Social classes Print culture keyword: Broadside ballad English music music printing popular music street song ab: This article explores the ubiquity of popular songs across print traditions, performance venues, and social classes in England during the late Georgian era. It examines the formatting and presentation of an eighteenth-century chapbook, contextualizing it within contemporaneous print cultures before exploring how the songs in this item of cheap literature relate to music from English comic operas, pleasure garden entertainments, and domestic spaces. Through this case study, the article aims to illuminate a compelling era of English song before the "elite" became exclusive of the "popular," when songs moved fluidly between social contexts and print traditions and were heard, known, and performed by multiple classes of English society. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
|---|