Diasporic Transgressions of Commedia dell'arte.
Ever since its "birth certificate" on February 25, 1545, Commedia dell'arte's substantial resources of itineracy, improvisation, subversion, extraterritoriality, extemporaneity, laughter, and joy have unceasingly unveiled their essential mutability and ambiguity, prompting UNESCO's depiction of comm...
| Publicado en: | Caietele Echinox Vol. 45; pp. 29 - 44 |
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| Formato: | Artículo |
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Echinox Cultural Foundation
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174539556&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174539556 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1582960X 90EZ jtl: Caietele Echinox issn: 1582960X maglogo: N pubinfo: dt: 2023 vid: 45 pid: 52779 pub: Echinox Cultural Foundation artinfo: ui: 174539556 10.24193/cechinox.2023.45.02 ppf: 29 ppct: 15 formats: fmt: @attributes: type: P size: 906KB tig: atl: Diasporic Transgressions of Commedia dell'arte. aug: au: Gherasim, Gabriel C. affil: Babeș-Bolyai University, Cluj-Napoca, Romania su: Transgression (Ethics) Birth certificates Laughter Cultural identity Topology sug: subj: Transgression (Ethics) Birth certificates Laughter Cultural identity Topology keyword: Commedia dell'arte Cultural Tropes Diasporic Transgressions Theatrical Formalism Topological and Temporal Transgressions ab: Ever since its "birth certificate" on February 25, 1545, Commedia dell'arte's substantial resources of itineracy, improvisation, subversion, extraterritoriality, extemporaneity, laughter, and joy have unceasingly unveiled their essential mutability and ambiguity, prompting UNESCO's depiction of commedia as an "invisible and intangible cultural asset". The present study attempts to disclose the diasporic transgressions of Commedia dell'arte by considering four basic dimensions: the formal, the tropological, the topological, and the temporal, respectively. This approach further examines how and to what extent the diasporic transgressions of Commedia dell'arte can be elucidated by considering the afore-mentioned categories of explanation. Ultimately, the itinerant and improvisational character of Commedia dell'arte is explanatory for the mutations and developments within the four dimensions themselves. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Caietele Echinox is the property of Echinox Cultural Foundation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Caietele Echinox holder: Echinox Cultural Foundation dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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