Instrumental Theater in Ukrainian Women Composers' Creativity: The Communication Aspect.
Through the prism of musical communication, the article examines the most striking examples of instrumental theater in Ukrainian music of the 1990s and 2000s in the works of female composers Maryna Denysenko-Sapmaz, Liudmyla Yurina, Yuliia Homelska, Anna Korsun, Karmella Tsepkolenko, and Victoria Po...
| Publicado en: | Musicology of Lithuania / Lietuvos muzikologija no. 24; pp. 32 - 58 |
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| Formato: | Artículo |
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Lithuanian Academy of Music & Theatre
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174569813&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174569813 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13929313 639P jtl: Musicology of Lithuania / Lietuvos muzikologija issn: 13929313 maglogo: N pubinfo: dt: 2023 iid: 24 pid: 43118 pub: Lithuanian Academy of Music & Theatre artinfo: ui: 174569813 ppf: 32 ppct: 26 formats: fmt: @attributes: type: P size: 5MB tig: atl: Instrumental Theater in Ukrainian Women Composers' Creativity: The Communication Aspect. aug: au: BEREHOVA, Olena affil: Institute for Cultural Research of the Academy of Arts of Ukraine, 50-52 Taras Shevchenko Blvd, Kyiv, 01032, Ukraine su: Women composers Women in the theater Ukrainians Music theater Creative ability Visualization sug: subj: Women composers Women in the theater Ukrainians Music theater Creative ability Visualization keyword: chamber music female composers instrumental performance musical communication Ukrainian music visualization instrumentinis atlikimas kamerinė muzika kompozitorės moterys muzikinė komunikacija Ukrainos muzika vizualizacija ab: Through the prism of musical communication, the article examines the most striking examples of instrumental theater in Ukrainian music of the 1990s and 2000s in the works of female composers Maryna Denysenko-Sapmaz, Liudmyla Yurina, Yuliia Homelska, Anna Korsun, Karmella Tsepkolenko, and Victoria Poleva. Based on the concept of communicative syntax, the communicative functions of musical works are investigated. It is proved that the clarifying function is most often realized at the style and stylistic level, and the prognostic function is realized at a higher ideological and conceptual level, which activates receptive processes. The change in the paradigms of writing, performing, and perceiving music; the dominance of the spectacular factor over the actual musical one in many works; and the increasing visualization and theatricalization of the musical process have become evidence of the transformation of contemporary musical thinking. Pasitelkiant muzikinės komunikacijos prieigą straipsnyje aptariami ryškiausi instrumentinio teatro pavyzdžiai XX a. dviejų paskutinių dešimtmečių ukrainiečių muzikoje - moterų kompozitorių Liudmilos Jurinos, Marynos Denysenko-Sapmaz, Julijos Homelskos, Karmelos Cepkolenko, Annos Korsun ir Viktorijos Polevos kūryboje. Remiantis kūrinių klasifikacija pagal dalyvių skaičių, straipsnyje pristatomi instrumentiniai monospektakliai, kameriniai ir masiniai spektakliai. Įrodoma, kad, nepriklausomai nuo žanro, Ukrainos instrumentinio teatro pavyzdžiuose matomas kompozitoriaus ir atlikėjo galių išplėtimas, pirmajam suteikiant režisieriaus, antrajam - dainininko, aktoriaus ar kalbamojo žanro atlikėjo funkcijas. Muzikos komponavimo, atlikimo ir suvokimo paradigmų kaita, spektaklio veiksnio, o ne muzikos dominavimas daugelyje kūrinių, didėjantis muzikos proceso vizualizavimas ir teatralizavimas liudija šiuolaikinio muzikinio mąstymo transformacijas. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Musicology of Lithuania / Lietuvos muzikologija is the property of Lithuanian Academy of Music & Theatre and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Musicology of Lithuania / Lietuvos muzikologija holder: Lithuanian Academy of Music & Theatre dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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