The Immanence of Abysmal Seduction in the Art of Acting.
The study makes a descent into the abysmal psychology of the creator, seeking to reveal the drive that makes the act of creation necessary: the need to seduce. In the attempt to rehabilitate seduction and the essential role it has in the entire creative process, up to the meeting with the viewer - t...
| Publicado en: | Theatrical Colloquia Vol. 13; no. 2; pp. 25 - 40 |
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| Formato: | Artículo |
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George Enescu University of Arts, Artes Publishing House
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174673547&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174673547 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15844927 JX0V jtl: Theatrical Colloquia issn: 15844927 maglogo: N pubinfo: dt: 2023 vid: 13 iid: 2 pid: 80565 pub: George Enescu University of Arts, Artes Publishing House artinfo: ui: 174673547 10.35218/tco.2023.13.2.03 ppf: 25 ppct: 15 formats: fmt: @attributes: type: P size: 7.4MB tig: atl: The Immanence of Abysmal Seduction in the Art of Acting. aug: au: LUMÂNARE, Iulia affil: Associate Professor, Faculty of Arts at Ovidius University of Constanta. su: Kant, Immanuel, 1724-1804 Pessoa, Fernando, 1888-1935 Seduction Psychoanalysis Psychology sug: subj: Kant, Immanuel, 1724-1804 Pessoa, Fernando, 1888-1935 Seduction Psychoanalysis Psychology keyword: conscience creation knowledge movie actor seduction ab: The study makes a descent into the abysmal psychology of the creator, seeking to reveal the drive that makes the act of creation necessary: the need to seduce. In the attempt to rehabilitate seduction and the essential role it has in the entire creative process, up to the meeting with the viewer - the ultimate witness and subject of seduction -, the study explores the psychological, philosophical, and professional dimensions of the concept of seduction, moving away from its immediate and trivial meanings. The intrinsic purpose of the approach is to restore the role of being a creator for the actor and to seduce him into becoming a conscious one, thus abandoning the irresponsible condition of the marionette. In an attempt to restore seduction’s numinosity, the study appeals to the great seducers of philosophy, psychoanalysis, and literature – Kirkegaard, Kant, Jung, Liiceanu, and Pessoa - supporting its arguments on their considerations, to reveal the impregnability of the link between seduction and creation. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Theatrical Colloquia is the property of George Enescu University of Arts, Artes Publishing House and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Theatrical Colloquia holder: George Enescu University of Arts, Artes Publishing House dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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