The Two Shamans Beyond the Two Solitudes: Michael Nicoll Yahgulanaas' Haida Manga as a Tool for Indigenizing Comics.
Focusing on the two editions of Michael Nicoll Yahgulanaas' A Tale of Two Shamans (2001, 2018) and how each incorporates "Indigenous methodologies, pedagogies, and epistemologies" (Pearce 319), this article explores the relational and situated knowledges that coalesce in the story and its telling. U...
| Publicado en: | American Review of Canadian Studies Vol. 53; no. 3; pp. 406 - 420 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=174709921&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 174709921 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 02722011 7J0 jtl: American Review of Canadian Studies issn: 02722011 maglogo: N pubinfo: dt: Sep2023 vid: 53 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 174709921 10.1080/02722011.2023.2246788 ppf: 406 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 281KB tig: atl: The Two Shamans Beyond the Two Solitudes: Michael Nicoll Yahgulanaas' Haida Manga as a Tool for Indigenizing Comics. aug: au: Kelp-Stebbins, Katherine affil: Department of English, University of Oregon, Eugene, OR, USA su: Comic books, strips, etc. Consumer behavior Storytelling Solitude Shamans Manga (Art) sug: subj: Comic books, strips, etc. Consumer behavior Storytelling Solitude Shamans Commercial Printing (except Screen and Books) Other printing Periodical Publishers Manga (Art) keyword: bandes dessinées comics Haida manga Michael Nicoll Yahgulanaas Michael Nicoll Yahgulanass bandes dessinées comics Haida manga Michael Nicoll Yahgulanaas Michael Nicoll Yahgulanass ab: Focusing on the two editions of Michael Nicoll Yahgulanaas' A Tale of Two Shamans (2001, 2018) and how each incorporates "Indigenous methodologies, pedagogies, and epistemologies" (Pearce 319), this article explores the relational and situated knowledges that coalesce in the story and its telling. Using Haida and settler languages like English, Yahgulanaas' book is an early example of his Haida manga practice. Haida manga can be understood as a way of Indigenizing comics because the use of Haida framelines deconstructs the spatial grammar of panel and gutter in favor of interconnected imagery and design. Likewise, Haida manga linguistically critiques colonizing assumptions regarding territories and borders as land-bound, shifting the location of the cultural practice to a region defined by water, with its political possibilities and cultural connections. Yahgulanaas' books weave these actions and intentions into consumer objects, differently legible and knowable across diverse reading publics. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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