Waves of Pixels and Wordgenerated Algorithms: Drone Poetry as a Collaborative Practice between Machine and Human in Waveform by Richard A. Carter.
The following article explores the creative collaborative practices in digital poetry between more-than-human agents. Richard A. Carter's artistic project Waveform (2017-) makes one reconsider the ways in which multimodal and web-based encounters of image, word, sound and movement, and, in the case...
| Publicado en: | Text Matters no. 13; pp. 275 - 298 |
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| Formato: | Artículo |
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Wydawnictwo Uniwersytetu Lodzkiego
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=174864048&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 174864048 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20832931 FS0H jtl: Text Matters issn: 20832931 maglogo: N pubinfo: dt: 2023 iid: 13 pid: 11068 pub: Wydawnictwo Uniwersytetu Lodzkiego artinfo: ui: 174864048 10.18778/2083-2931.13.15 ppf: 275 ppct: 23 formats: tig: atl: Waves of Pixels and Wordgenerated Algorithms: Drone Poetry as a Collaborative Practice between Machine and Human in Waveform by Richard A. Carter. aug: au: Ostalska, Katarzyna affil: University of Lodz su: Aesthetics Poetry (Literary form) Computer programming Wave mechanics Pixels Algorithms Artistic collaboration sug: subj: Aesthetics Poetry (Literary form) Computer programming Wave mechanics Pixels Algorithms Artistic collaboration keyword: computer code digital literature drone generated poetry multimodality waves ab: The following article explores the creative collaborative practices in digital poetry between more-than-human agents. Richard A. Carter's artistic project Waveform (2017-) makes one reconsider the ways in which multimodal and web-based encounters of image, word, sound and movement, and, in the case of Carter's airborne drone, also the political and military, redefine "a literary text" via nonhuman extended perception. Drone-generated poetry challenges a human-centered (literary) perspective, raising questions about AI's creativity and code's generative and aesthetic, and not only functional, potential. The article, drawing upon Raichlen, introduces a comparative platform of waves' mechanics to render the complexity of multimedial digital poetic writing. The focal analytical material provided by Carter results from the (human, machine) vision (of the moving waves) translated into words, generated by the drone, and edited by the human. The article studies the creative process in which the collaboration between more-than-human entities, as its outcome, produces poetic work of artistic value and literary merit. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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