THE EARLIEST ATTIC POTTER/PAINTER KNOWN BY NAME? The Epigraphy and Materiality of an Early Black-Figure Amphora from Mt. Hymettos.

A black-figure amphora from the sanctuary on Mt. Hymettos preserves one of the longest Attic inscriptions of the 7th century b.c., presenting a remarkable case for the integration of a postfiring inscription into the morphology of an early Greek vessel. This article explores the materiality of the a...

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Publicado en:Hesperia Vol. 92; no. 4; pp. 645 - 672
Autor principal: Kotsonas, Antonis
Formato: Artículo
Publicado: American School of Classical Studies at Athens Oct-Dec2023
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Kotsonas, Antonis
        affil: New York University
      su:
        Inscriptions
        Painters
        Potters
        Amphoras
        Artisans
        Verbs
        Possibility
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          Attike (Greece)
          Inscriptions
          Painters
          Potters
          Amphoras
          Artisans
          Verbs
          Possibility
      ab: A black-figure amphora from the sanctuary on Mt. Hymettos preserves one of the longest Attic inscriptions of the 7th century b.c., presenting a remarkable case for the integration of a postfiring inscription into the morphology of an early Greek vessel. This article explores the materiality of the amphora and its lacunose inscription, proposing a new reconstruction of the text. The inscription's peculiar arrangement and unusual verb suggest that it once included one of the earliest signatures of a craftsman in Attica. The study also investigates--but does not embrace--the possibility that the individual mentioned is the earliest Attic potter/painter known by name.
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    language: English
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