THE EARLIEST ATTIC POTTER/PAINTER KNOWN BY NAME? The Epigraphy and Materiality of an Early Black-Figure Amphora from Mt. Hymettos.
A black-figure amphora from the sanctuary on Mt. Hymettos preserves one of the longest Attic inscriptions of the 7th century b.c., presenting a remarkable case for the integration of a postfiring inscription into the morphology of an early Greek vessel. This article explores the materiality of the a...
| Publicado en: | Hesperia Vol. 92; no. 4; pp. 645 - 672 |
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| Formato: | Artículo |
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American School of Classical Studies at Athens
Oct-Dec2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=175126734&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 175126734 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0018098X VHQ jtl: Hesperia issn: 0018098X maglogo: N pubinfo: dt: Oct-Dec2023 vid: 92 iid: 4 pid: 21596 pub: American School of Classical Studies at Athens artinfo: ui: 175126734 10.2972/hes.2023.a914394 ppf: 645 ppct: 27 formats: fmt: @attributes: type: P size: 4.3MB tig: atl: THE EARLIEST ATTIC POTTER/PAINTER KNOWN BY NAME? The Epigraphy and Materiality of an Early Black-Figure Amphora from Mt. Hymettos. aug: au: Kotsonas, Antonis affil: New York University su: Inscriptions Painters Potters Amphoras Artisans Verbs Possibility Attike (Greece) sug: subj: Attike (Greece) Inscriptions Painters Potters Amphoras Artisans Verbs Possibility ab: A black-figure amphora from the sanctuary on Mt. Hymettos preserves one of the longest Attic inscriptions of the 7th century b.c., presenting a remarkable case for the integration of a postfiring inscription into the morphology of an early Greek vessel. This article explores the materiality of the amphora and its lacunose inscription, proposing a new reconstruction of the text. The inscription's peculiar arrangement and unusual verb suggest that it once included one of the earliest signatures of a craftsman in Attica. The study also investigates--but does not embrace--the possibility that the individual mentioned is the earliest Attic potter/painter known by name. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Hesperia is the property of American School of Classical Studies at Athens and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hesperia holder: American School of Classical Studies at Athens dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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