The Triple Synthesis of Rhythm.
Stemming from a general study of rhythm in the work of Gilles Deleuze, we propose a distribution of this concept throughout three levels: a topic level, in which we place rhythm between chaos and measure; a dynamic level, in which we analyse the formation of rhythm towards its stabilisation as a spa...
| Publicado en: | Deleuze & Guattari Studies Vol. 18; no. 1; pp. 36 - 60 |
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| Formato: | Artículo |
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Edinburgh University Press
Feb2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=175281040&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 175281040 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23989777 L8MC jtl: Deleuze & Guattari Studies issn: 23989777 maglogo: N pubinfo: dt: Feb2024 vid: 18 iid: 1 pid: 2327 pub: Edinburgh University Press artinfo: ui: 175281040 10.3366/dlgs.2024.0541 ppf: 36 ppct: 24 formats: fmt: – @attributes: type: T – @attributes: type: P size: 123KB tig: atl: The Triple Synthesis of Rhythm. aug: au: Aránguiz, Felipe Kong affil: Universidad de Chile su: Deleuze, Gilles, 1925-1995 Rhythm Artistic creation Lead time (Supply chain management) Glass-ceramics sug: subj: Deleuze, Gilles, 1925-1995 Rhythm Artistic creation Lead time (Supply chain management) Glass-ceramics keyword: aesthetics Deleuze painting refrain rhythm synthesis time ab: Stemming from a general study of rhythm in the work of Gilles Deleuze, we propose a distribution of this concept throughout three levels: a topic level, in which we place rhythm between chaos and measure; a dynamic level, in which we analyse the formation of rhythm towards its stabilisation as a spatio-temporal dynamism; and an unfolding, in which these dynamisms take on the form of rhythmic machines applied in music (refrain), in painting (sensation) and in cinema (montage and time crystals). In this last phase, the rhythmic devices of various arts lead to a genesis of time. We are thus driven to think and elaborate on the link between these two concepts, rhythm and time, in the writings of Deleuze. Bearing this purpose in mind, we turn to the schema of the three syntheses of time in Difference and Repetition. These syntheses show how time emerges from different ways of understanding repetition, in the place of which rhythm will then appear. We will compare this schema with the argument articulated by Deleuze in Logic of Sensation regarding rhythm in its pictorial form. This comparison will enable us to deduce that both concepts follow a parallel path arising from the same series of processes: vibration, coupling, resonance and forced movement. We will conclude that the schema proposed in Difference and Repetition and its aesthetic purpose delineate the ways in which rhythms unfold creatively. These three syntheses of rhythm are implicated in artistic processes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Deleuze & Guattari Studies is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Deleuze & Guattari Studies holder: Edinburgh University Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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