Transnationalism and the Literary Reception of Australian Women Writers' Fiction in the US, 2010–2020: Three Case Studies.

The following article examines how Australian literary fiction by women is received in the United States. In particular, it considers how books are positioned by publishers, reviewers and authors as relevant to an American audience as well as to what extent Australian literary fiction's appeal is bo...

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Publicado en:Journal of Australian Studies Vol. 48; no. 1; pp. 33 - 48
Autor principal: Neave, Lucy
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar2024
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Acceso en línea:Ver este registro en EBSCOhost
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      dt: Mar2024
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        10.1080/14443058.2023.2253818
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        atl: Transnationalism and the Literary Reception of Australian Women Writers' Fiction in the US, 2010–2020: Three Case Studies.
      aug:
        au: Neave, Lucy
        affil: School of Literature, Languages and Linguistics, Research School of the Humanities and the Creative Arts, The Australian National University, Canberra, Australia
      su:
        Literary characters
        Women authors
        Australians
        Fiction
        Internet forums
        Transnationalism
      sug:
        subj:
          Literary characters
          Women authors
          Australians
          Fiction
          Internet forums
          Transnationalism
      keyword:
        Goodreads
        literary fiction
        transnational fiction
        US reception of Australian novels
        women's fiction
      ab: The following article examines how Australian literary fiction by women is received in the United States. In particular, it considers how books are positioned by publishers, reviewers and authors as relevant to an American audience as well as to what extent Australian literary fiction's appeal is borne out in reviews and in an online forum, Goodreads. To address these questions, I examine the US reception of three diverse literary novels by Australian women: Waanyi author Alexis Wright's The Swan Book (Atria Books, 2016), Charlotte Wood's The Weekend (Riverhead, 2020), and Michelle de Kretser's Questions of Travel (Little, Brown, 2013). I argue that recent Australian literary fiction by women makes an appeal to US readers through a combination of "transnational orientation"—or ideas, characters and settings that a novel evokes to address a global readership—which are leveraged by publishers in book design and endorsements, and "authorial disambiguation", in the form of essays and websites written by authors and addressed to local and global readers. Efforts to draw attention to a novel's currency for a US audience are unevenly evident in reviews in broadsheets and trade publications, as well as on Goodreads.
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