Flânerie as a Critical Metaphor.
In the early 1990s, Yingjin Zhang had already developed a deep fascination with the concept of flânerie, namely, a process of creating intersubjective aesthetic experience and modern knowledge through a form of spatial practice—walking in the city. The experience of the flâneur in a constant flow of...
| Publicado en: | Chinese Literature & Thought Today Vol. 54; no. 3/4; pp. 76 - 82 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=175702852&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 175702852 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 27683524 N4K5 jtl: Chinese Literature & Thought Today issn: 27683524 maglogo: N pubinfo: dt: 2023 vid: 54 iid: 3/4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 175702852 10.1080/27683524.2023.2264163 ppf: 76 ppct: 6 formats: fmt: – @attributes: type: T – @attributes: type: P size: 913KB tig: atl: Flânerie as a Critical Metaphor. aug: au: Zhu, Ping su: Comparative method Aesthetic experience Film studies sug: subj: Comparative method Aesthetic experience Film studies ab: In the early 1990s, Yingjin Zhang had already developed a deep fascination with the concept of flânerie, namely, a process of creating intersubjective aesthetic experience and modern knowledge through a form of spatial practice—walking in the city. The experience of the flâneur in a constant flow of urban images resembles the cinematic experience, which is also quintessentially modern. By treating the flâneur as a critical metaphor, Zhang has reconceptualized cinema as a distinct form of spatial practices that can be employed as a tactic of resistance, both for the individual to challenge the dominant collective and for the local to challenge the dominant global. In his meta-critical analyses of cinema and space, Zhang demonstrates that the ephemeral zones of individual, everyday, and local perceptions must be accounted for through a multidirectional, comparative approach in film studies. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Chinese Literature & Thought Today is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Chinese Literature & Thought Today holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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