Ecological Emergency in El Salto and Cosmopolitical Aesthetics in Eugenio Polgovsky's Resurrección (2016).
This article examines the documentary Resurrección (Eugenio Polgovksy, 2016), which deals with the catastrophic contamination of Jalisco's River Santiago by industrial waste. It discusses the slow violence of environmental poisoning in this region as a form of necropolitics and of wastelanding, and...
| Publicado en: | Bulletin of Latin American Research Vol. 43; no. 1; pp. 76 - 91 |
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| Formato: | Artículo |
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Wiley-Blackwell
Jan2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=176079173&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 176079173 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02613050 BLA jtl: Bulletin of Latin American Research issn: 02613050 maglogo: Y pubinfo: dt: Jan2024 vid: 43 iid: 1 pid: 480 pub: Wiley-Blackwell artinfo: ui: 176079173 10.1111/blar.13538 ppf: 76 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: C – @attributes: type: P size: 2.8MB tig: atl: Ecological Emergency in El Salto and Cosmopolitical Aesthetics in Eugenio Polgovsky's Resurrección (2016). aug: au: Martin, Deborah affil: University College London, , UK su: Environmental protection Waste lands Environmental management Environmental policy Aesthetics sug: subj: Environmental protection Waste lands Environmental management Environmental policy Aesthetics keyword: necropolitics River Santiago sensorial cinema slow violence Un Salto de Vida uncanny ab: This article examines the documentary Resurrección (Eugenio Polgovksy, 2016), which deals with the catastrophic contamination of Jalisco's River Santiago by industrial waste. It discusses the slow violence of environmental poisoning in this region as a form of necropolitics and of wastelanding, and the campaign of collective Un Salto de Vida, who feature prominently in the film, for a clean river. It goes on to explore the heterogenous worlds and uncanny, sensorial aesthetics that characterise the film, arguing that through them, it makes a significant contribution to the search for visual forms through which to represent eco‐catastrophe, and the reconfigured relationship between human and non‐human required to address it. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Bulletin of Latin American Research is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Bulletin of Latin American Research holder: Wiley-Blackwell dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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