| Sumario: | In an exploration of the problems of writing autobiography and biography articulated by Laura Marcus, I show how Yeats, Wittgenstein and Woolf, identify the note as the form that keeps alive the life that autobiography and biography are always paradoxically in danger of making absent. The promissory note written for autobiography's impending realisation suggests that the past is best retrieved by means of a structure of permanent postponement for the future. Proust's invocation of memory through the device of sliding metaphors, analogies and comparisons, by contrast, involves a translation of moments of the past through deliberate paramnesia, operating according to the translational structure of displacement articulated by Freud in his analysis of dreams. Once put into narrative form, an autobiography will never tell the story of the self alone, of the individual life, for to write an autobiography will always mean to fabulate one's own 'family novel' (Freud's 'Familienroman') in the terms of a romance in which the writer acts out their own desires as a character within a drama whose script has already been written by others.
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