| Sumario: | This article discusses the publication of Louis Spohr's string quartets, which aims to bring attention to overlooked composers and support research into chamber music. It challenges traditional views of the quartet genre and explores the social and cultural contexts in which Spohr's quartets were composed. The article highlights the diversity and versatility of Spohr's compositions, drawing inspiration from various musical genres and reflecting different occasions. It also analyzes the presence of waltz topics in Spohr's quartets and their significance in challenging the distinction between popular and high concert music. The article praises the edition of Spohr's quartets for its historical and cultural context, as well as its performance notes and critical report, but raises questions about the selection of sources and use of autograph manuscripts. Overall, the edition is recommended for performers seeking to expand their repertoire.
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