Religion and Relationality in Punk: Musicking and Ordinary Ethics.
Engaging with Christopher Small's notion of musicking and Veena Das and Michael Lambek's notion of ordinary ethics, this article analyzes research on religion in punk from religion studies, sociology, and theology to offer a (self) critique of the representation of religious belief and relationships...
| Publicado en: | Journal of Religion & Popular Culture Vol. 36; no. 1; pp. 1 - 15 |
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| Formato: | Artículo |
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University of California Press
Apr2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=176812591&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 176812591 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1703289X FYK jtl: Journal of Religion & Popular Culture issn: 1703289X maglogo: N pubinfo: dt: Apr2024 vid: 36 iid: 1 pid: 414 pub: University of California Press artinfo: ui: 176812591 10.3138/jrpc.2020-0060 ppf: 1 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 128KB tig: atl: Religion and Relationality in Punk: Musicking and Ordinary Ethics. aug: au: Abraham, Ibrahim affil: Federation University Australia—Institute of Education, Arts and Community, Churchill, Victoria, Australia su: Punk culture Evangelicalism Normativity (Ethics) Religions Ethics sug: subj: Punk culture Evangelicalism Normativity (Ethics) Religions Ethics keyword: Christianity musicking ordinary ethics popular music punk religion ab: Engaging with Christopher Small's notion of musicking and Veena Das and Michael Lambek's notion of ordinary ethics, this article analyzes research on religion in punk from religion studies, sociology, and theology to offer a (self) critique of the representation of religious belief and relationships in punk. Focusing on the presence of evangelical Christianity in contemporary punk, and emphasizing relationships as central to the activity of musicking, this article draws attention to exclusions and essentializations in research in this field. Focusing on the ordinary ethics enacted through punk musicking, rather than the normative ethics located in sometimes polemical punk statements and scholarship, it is argued that a more accurate understanding of the place of religion in punk becomes apparent by focusing on quotidian relational practices. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Religion & Popular Culture is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Religion & Popular Culture holder: University of California Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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