The Brazilian Eisenstein (1961–1981).
Beginning in the 1960s and 1970s, Latin American filmmakers and filmgoers began to interpret and adapt early Soviet avant-garde cinema of the 1920s in an unprecedented fashion, extending its half-life in innovative ways. In this context, Brazil is a generative but seldom explored site. This article...
| Publicado en: | Nathaniel Hawthorne Review Vol. 61; no. 2; pp. 335 - 365 |
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| Formato: | Artículo |
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Pennsylvania State University Press
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |