Claudia Jones and Black Power: A Close Reading of the West Indian Gazette and Afro-Asian Caribbean News.

When Claudia Jones was deported to Britain in 1955, the U.S. Government likely expected that the Communist threat she presented was finally neutralized. Yet, from the shores of Britain, Jones continued her radical activism. The West Indian Gazette and Afro-Asian Caribbean News (WIG), created by Jone...

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Publicado en:American Communist History Vol. 23; no. 1/2; pp. 35 - 51
Autor principal: Parris, Tionne Alliyah
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar-Jun2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Claudia Jones and Black Power: A Close Reading of the West Indian Gazette and Afro-Asian Caribbean News.
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        au: Parris, Tionne Alliyah
        affil: History, Department of Social Sciences, Humanities and Education, University of Hertfordshire, Hatfield, Britain
      su:
        Black power movement
        Black rights
        Solidarity
        Foreign news
        Activism
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          Black power movement
          Black rights
          Solidarity
          Foreign news
          Activism
      ab: When Claudia Jones was deported to Britain in 1955, the U.S. Government likely expected that the Communist threat she presented was finally neutralized. Yet, from the shores of Britain, Jones continued her radical activism. The West Indian Gazette and Afro-Asian Caribbean News (WIG), created by Jones in 1958, became an effective bullhorn to foster unity and solidarity amongst Black migrants in Britain toward many causes – at home and abroad. She called upon her previously established transnational connections to bring news of international developments to her British audience. The WIG's coverage of the U.S. Civil Rights and Black Power Movements throughout the 1960s was also significant. Linking the United States and the UK to global changes, Jones kept a finger on the pulse of radical movements across the world and amplified them to her audience in editorials about uprisings in the Congo in 1960, revivals of Garveyism in Jamaica, and revolution in Cuba, for example. Drawing closely from the WIG, this article will analyze some of the continuities that rippled throughout the activism of Claudia Jones into the period of the Black Power Movement, as well as the overlapping activists, their strategies, and the important discussions the WIG was able to platform during its run. It will highlight that the many crossovers observed through the pages of the WIG evidence how a generation of activists may have been influenced by the knowledge transmitted through the life and work of Claudia Jones.
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