Twenty Etudes and Preludes.

This article discusses the publication of Maria Szymanowska's "Twenty Etudes and Preludes" by Polish Music Publishers (PWM). Szymanowska, a Polish-Jewish virtuoso and composer, was a prominent figure among women composers and considered the first professional female pianist in history. The article e...

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Publicado en:Notes Vol. 80; no. 4; pp. 727 - 731
Autor principal: DOBRZAŃSKI, SŁAWOMIR
Formato: Artículo
Publicado: Music Library Association Inc. Jun2024
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Acceso en línea:Ver este registro en EBSCOhost
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        au: DOBRZAŃSKI, SŁAWOMIR
        affil: Kansas State University
      su:
        Chopin, Frédéric, 1810-1849
        Women composers
        Instrumental music
        Women pianists
        Children's literature
        Aesthetics
        Piano instruction
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          Chopin, Frédéric, 1810-1849
          Women composers
          Instrumental music
          Women pianists
          Children's literature
          Aesthetics
          Piano instruction
      ab: This article discusses the publication of Maria Szymanowska's "Twenty Etudes and Preludes" by Polish Music Publishers (PWM). Szymanowska, a Polish-Jewish virtuoso and composer, was a prominent figure among women composers and considered the first professional female pianist in history. The article explores the two different groups of compositions in Szymanowska's body of work, with the "Twenty Etudes and Preludes" being highlighted as a significant collection. The article also delves into the mystery surrounding the original publication of the collection and the subsequent demand for Szymanowska's music. The text emphasizes the technical aspects of the etudes and the expressive nature of the preludes, and mentions the influence Szymanowska had on Fryderyk Chopin. It concludes by noting the importance of the publication of Szymanowska's complete works, but raises concerns about the limited international sales policy of the publisher.
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    language: English
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