THE UNCERTAIN STUFF OF HISTORY: OUTLINE OF A THEORY OF INTENTIONALITY—THING BY THING.

This article addresses the issue of historical knowledge in relation to material evidence. More specifically, it asks, What objects capture the historian's attention and what knowledge is gained from those objects? What does the historian's gaze select as "things of history" and thus as removed from...

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Publicado en:History & Theory Vol. 63; no. 2; pp. 186 - 219
Autor principal: REGAZZONI, LISA
Formato: Artículo
Publicado: Wiley-Blackwell Jun2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: THE UNCERTAIN STUFF OF HISTORY: OUTLINE OF A THEORY OF INTENTIONALITY—THING BY THING.
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        au: REGAZZONI, LISA
        affil: Bielefeld University
      su:
        Real evidence
        Legal evidence
        Law & history
        Intentionality (Philosophy)
        Material culture
        Philosophy of time
        Socrates, ca. 469-399 B.C.
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          Real evidence
          Legal evidence
          Law & history
          Intentionality (Philosophy)
          Material culture
          Philosophy of time
          Socrates, ca. 469-399 B.C.
      keyword:
        historical critique
        intentionality
        interdisciplinarity
        material evidence
        mnemonic thing
        phenomenology
        temporality
        thing of history
      ab: This article addresses the issue of historical knowledge in relation to material evidence. More specifically, it asks, What objects capture the historian's attention and what knowledge is gained from those objects? What does the historian's gaze select as "things of history" and thus as removed from a world of object assemblages and fluid matter? Is it the case that only artifacts deliberately produced or modified by humans (regardless of the purpose) count as "things of history"? Or do physical entities produced by unintended human and nonhuman factors also display temporal endurance or alteration occurring over time and resonate with humans? Are "things of history" only entities endowed with shape, or do formless materials qualify too? In this article, I outline a theory of intentionality in relation to material items for two main reasons. First, it allows for a "critique of material evidence," which is still missing in the historical discipline. Second, it enables us to address any remaining epistemological, ethical, or political issues, biases, or contradictions associated with the multifaceted research on material culture that affect the way we do history.
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    language: English
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