“This Forcèd League”: The Compassionate Body in The Rape of Lucrece.

Two models of compassion coexisted in early modern English thinking: one characterized fellowfeeling as a form of contagion that physically compelled the sharing of passions through the humoral body; the other saw compassion as a moral exercise that required deliberate encouragement and active pract...

Descripción completa

Detalles Bibliográficos
Publicado en:Renaissance & Reformation / Renaissance et Réforme Vol. 47; no. 1; pp. 137 - 168
Autor principal: HUTH, KIMBERLY
Formato: Artículo
Publicado: Iter Canada Winter2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=177500079&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 177500079
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        0034429X
        2BC
      jtl: Renaissance & Reformation / Renaissance et Réforme
      issn: 0034429X
      maglogo: N
    pubinfo:
      dt: Winter2024
      vid: 47
      iid: 1
      pid: 78725
      pub: Iter Canada
    artinfo:
      ui:
        177500079
        10.33137/rr.v47i1.42008
      ppf: 137
      ppct: 31
      formats:
        fmt:
          @attributes:
            type: P
            size: 12.9MB
      tig:
        atl: “This Forcèd League”: The Compassionate Body in The Rape of Lucrece.
      aug:
        au: HUTH, KIMBERLY
        affil: California State University, Dominguez Hills.
      su:
        Rape
        Crimes against women
        Compassion
        Poetics
        Authorship
        Manners & customs
      sug:
        subj:
          Rape
          Crimes against women
          Compassion
          Poetics
          Authorship
          Manners & customs
      ab:
        Two models of compassion coexisted in early modern English thinking: one characterized fellowfeeling as a form of contagion that physically compelled the sharing of passions through the humoral body; the other saw compassion as a moral exercise that required deliberate encouragement and active practice. This paper argues that Shakespeare’s The Rape of Lucrece demonstrates the dynamic interaction of these two models, situating Lucrece’s post-rape failures of productive compassionate interaction as the consequence of the changes produced in her body by the force of Tarquin’s passion, imparted to her through the event of the rape. By tracing Shakespeare’s poetic anatomy of the compassionate body through the rhetoric of opposition in the poem, this analysis elucidates how the construction of gender in humoral theory shapes the narration of the rape and exhibits the enduring influence of the humoral body on the period’s understanding of social life.
        Deux modèles de compassion coexistaient dans la pensée anglaise de la première modernité : l’un caractérisait le sentiment de camaraderie comme une forme de contagion imposant physiquement le partage des passions à travers le corps humoral ; l’autre considérait la compassion comme un exercice moral nécessitant un encouragement délibéré et une pratique active. Cet article soutient que Le viol de Lucrèce de Shakespeare illustre l’interaction dynamique de ces deux modèles, en positionnant les tentatives malheureuses de Lucrèce d’établir, après le viol, des interactions basées sur la compassion comme la conséquence des changements produits dans son corps par la force de la passion de Tarquin, transmise à travers l’acte du viol. En retraçant l’anatomie poétique du corps compatissant de Shakespeare à travers la rhétorique de l’opposition dans le poème, cette analyse cherche à comprendre comment la construction du genre dans la théorie humorale façonne le récit du viol et montre l’influence durable du corps humoral sur la compréhension de la société à l’époque.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Renaissance & Reformation / Renaissance et Réforme is the property of Iter Canada and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Renaissance & Reformation / Renaissance et Réforme
      holder: Iter Canada
      dt:
        @attributes:
          year: 2024
    holdings:
      @attributes:
        islocal: N