LA VULGARISATION DE L'ÉTHIQUE D'ARISTOTE EN ITALIE AUX XIIIe ET XIVe SIÈCLES : ENJEUX LITTÉRAIRES ET PHILOSOPHIQUES.

This paper deals with one of the most important phenomenon in mediaeval Italian literature : the interlacing of philosophy and literature. In order to do this, Taddeo Alderotti's Etica in volgare, a vernacular version of the Summa Alexandrinorum (a summary of aristotle's Nicomachean Ethics), is anal...

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Publicado en:Médiévales Vol. 63; pp. 47 - 60
Autor principal: GENTILI, Sonia
Formato: Artículo
Publicado: Presses Universitaires de Vincennes automne2012
Acceso en línea:Ver este registro en EBSCOhost
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        atl: LA VULGARISATION DE L'ÉTHIQUE D'ARISTOTE EN ITALIE AUX XIIIe ET XIVe SIÈCLES : ENJEUX LITTÉRAIRES ET PHILOSOPHIQUES.
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        au: GENTILI, Sonia
        affil: Dipartimento di Scienze Documentarie, Linguisticofilologiche e Geografiche, Sapienza università di Roma, Piazzale Aldo Moro 5, 00185 Roma
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        aristote
        Dante
        Novellino
        Summa Alexandrinorum
        Taddeo Alderotti
      ab:
        This paper deals with one of the most important phenomenon in mediaeval Italian literature : the interlacing of philosophy and literature. In order to do this, Taddeo Alderotti's Etica in volgare, a vernacular version of the Summa Alexandrinorum (a summary of aristotle's Nicomachean Ethics), is analysed through the main themes occurring in it -- the presence of images, the tension between the Aristotelian man as a political animal and the ascetic man from the christian tradition, and the citizens depicted as « artifices » -- and through its influence on Guittone d'Arezzo and Dante.
        Cet article tente de décrire un phénomène majeur et constitutif de la littérature italienne au Moyen Âge, à savoir l'entrelacement entre parole philosophique et parole littéraire. Pour cela, l'Etica in volgare de Taddeo Alderotti, une version en langue vulgaire de la Summa Alexandrinorum (abrégé de l'Éthique à Nicomaque d'Aristote), est analysée dans ses traits principaux -- l'utilisation des images, la tension entre l'homme politique d'Aristote et l'homme ascétique des chrétiens, et les citoyens identifiés aux « artifices » -- et dans sa diffusion chez Guittone d'Arezzo et Dante.
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    language: French
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