'A Pattern of Clothes:' Fairy Tale, Originality, and Dress in Dodie Smith's I Capture the Castle.

In Dodie Smith's novel I Capture the Castle (1948), Cassandra Mortmain writes the story of her sister Rose's courtship. In the novel, clothes perform the paradoxical work of, on one hand, helping create a version of Rose that is vividly original in her wealthy suitor's eyes, while on the other hand...

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Publicado en:Children's Literature in Education Vol. 55; no. 2; pp. 281 - 295
Autor principal: Hansen, Kathryn Strong
Formato: Artículo
Publicado: Springer Nature Jun2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: 'A Pattern of Clothes:' Fairy Tale, Originality, and Dress in Dodie Smith's I Capture the Castle.
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        au: Hansen, Kathryn Strong
        affil: https://ror.org/00fvyjk73 Colby College, Waterville, ME, USA
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        I Capture the Castle (Book)
        Smith, Dodie, 1896-1990
        Originality in literature
        Fairy tales in literature
        Children's stories
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          I Capture the Castle (Book)
          Smith, Dodie, 1896-1990
          Originality in literature
          Fairy tales in literature
          Children's stories
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        Clothing
        Dodie Smith
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        I Capture the Castle
        Originality
      ab: In Dodie Smith's novel I Capture the Castle (1948), Cassandra Mortmain writes the story of her sister Rose's courtship. In the novel, clothes perform the paradoxical work of, on one hand, helping create a version of Rose that is vividly original in her wealthy suitor's eyes, while on the other hand showing readers how her behavior is as stereotypical as the oldest of fairy tales. The novel uses three pieces of clothing in particular – a dyed tea-gown, a bear-skin coat, and a frilly pink dress – to create fairy-tale associations with Rose. The novel does so to show that reproducing the unoriginality of fairy tales cannot create happiness.
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