Deference and Diplomacy: Navigating Authors’ Moral Rights in a Converged Literary Landscape.

Authors’ moral rights throughout history have been protected in various degrees across the globe: French law honors authors’ rights to their particular individual creative expression as supreme and perpetual; German law considers an author’s moral rights and economic rights in equal measure; in Aust...

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Publicado en:Information, Medium & Society: Journal of Publishing Studies Vol. 22; no. 1; pp. 19 - 32
Autor principal: Day, Katherine
Formato: Artículo
Publicado: Common Ground Research Networks Jun2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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      dt: Jun2024
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        10.18848/2691-1507/CGP/v22i01/19-31
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      aug:
        au: Day, Katherine
        affil: Lecturer in Publishing Practice, School of Culture and Communication, University of Melbourne, Melbourne, Victoria, Australia.
      su:
        Workers' rights
        Social & economic rights
        Author-publisher relations
        Respect
        Reputation
        Contract negotiations
        Rights
        Bern (Switzerland)
      sug:
        subj:
          Bern (Switzerland)
          Workers' rights
          Social & economic rights
          Author-publisher relations
          Respect
          Reputation
          Contract negotiations
          Rights
      keyword:
        Authors
        Copyright
        Editing
        Moral Rights
        Publishing
      ab: Authors’ moral rights throughout history have been protected in various degrees across the globe: French law honors authors’ rights to their particular individual creative expression as supreme and perpetual; German law considers an author’s moral rights and economic rights in equal measure; in Australia, moral rights, though only recently codified, are not transferrable as they can be in the UK if waived. While the overarching Berne Convention for the Protection of Literary and Artistic Works promises to protect the personality and reputation of authors, the literary landscape is now more diverse, with crossplatform entertainment streams expanding subsidiary rights opportunities in ways not anticipated even a decade ago. This paper explores how publishers and authors are currently navigating the publishing process post contract negotiations. Do authors defer to having their work manipulated to increase exposure or sales? Are publishers and editors successful negotiators and mediators of multiple uses of creative content and the authors who are inextricably tied to the work? Ultimately, where are the lines drawn when considering moral rights and opportunities in a converged literary landscape?.
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    language: English
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      custom: Copyright of Information, Medium & Society: Journal of Publishing Studies is the property of Common Ground Research Networks and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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