"Comment devient-on une écrivaine?": Pineau, Kanor, Octavia.
This article examines Gisèle Pineau's Fleur de Barbarie (2007), Fabienne Kanor's Je ne suis pas un homme qui pleure (2016) and Gaël Octavia's La Bonne Histoire de Madeleine Démétrius (2020). Striking similarities between the texts produce a coherent vision of the contemporary Antillean woman writer...
| Publicado en: | Contemporary French & Francophone Studies Vol. 28; no. 3; pp. 355 - 373 |
|---|---|
| Autor principal: | |
| Formato: | Literary Criticism |
| Publicado: |
Taylor & Francis Ltd
Jun2024
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=178134428&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 178134428 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 17409292 W19 jtl: Contemporary French & Francophone Studies issn: 17409292 maglogo: Y pubinfo: dt: Jun2024 vid: 28 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 178134428 10.1080/17409292.2024.2342657 ppf: 355 ppct: 18 formats: fmt: – @attributes: type: T db: hlh ui: 178134428 – @attributes: type: P db: hlh ui: 178134428 tig: atl: "Comment devient-on une écrivaine?": Pineau, Kanor, Octavia. aug: au: Milne, Lorna affil: University of St Andrews, St Andrews, United Kingdom su: Fleur de Barbarie (Book) Je ne suis pas un homme qui pleure (Book) Le Bonne Histoire de Madeleine Démétrius (Book) Pineau, Gisèle Kanor, Fabienne Octavia, Gaël Intergenerational relations Caribbean literature sug: subj: Intergenerational relations Caribbean literature Fleur de Barbarie (Book) Je ne suis pas un homme qui pleure (Book) Le Bonne Histoire de Madeleine Démétrius (Book) Pineau, Gisèle Kanor, Fabienne Octavia, Gaël keyword: Caribbean French Kanor literature Octavia Pineau women Caribbean French Kanor literature Octavia Pineau women ab: This article examines Gisèle Pineau's Fleur de Barbarie (2007), Fabienne Kanor's Je ne suis pas un homme qui pleure (2016) and Gaël Octavia's La Bonne Histoire de Madeleine Démétrius (2020). Striking similarities between the texts produce a coherent vision of the contemporary Antillean woman writer as a rounded, independent figure who balances individual, collective, personal and literary elements of her life and adopts a singular approach to the intergenerational dynamics that are so important in Antillean culture. As a woman, she seeks to end painful intergenerational family legacies; as a writer, she detaches herself from the overdetermining, backward-looking and vertical metaphor of the literary family tree (whether patri- or matrilinear), in favor of a more horizontal fellowship of black women writers that creates space both for her and for other writers who might join her. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
|---|