La sofisticación artística y el espejo de la miseria: la colección Palabra e Imagen de Lumen como vehículo de memoria.
The collection of books Palabra e Imagen from Lumen, which began in 1961, undoubtedly represents one of the major achievements of Spanish publishing in recent decades, not only for its exquisite and unique design, but also because the best Spanish narrators and photographers from the sixties took pa...
| Publicado en: | Hispanic Review Vol. 92; no. 2; pp. 267 - 290 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Spring2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=178237209&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 178237209 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Spring2024 vid: 92 iid: 2 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 178237209 10.1353/hir.2024.a929140 ppf: 267 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.3MB tig: atl: La sofisticación artística y el espejo de la miseria: la colección Palabra e Imagen de Lumen como vehículo de memoria. aug: au: Villamia, Luis affil: Universidad Internacional Menéndez Pelayo su: Palabra e imagen en la edad media (Book) Publishing Photographers Photobooks Humanists sug: subj: Palabra e imagen en la edad media (Book) Publishing Photographers Photobooks Humanists keyword: Camilo José Cela Collective Memory Esther Tusquets Joan Colom Luis Villamia Lumen Memoria Colectiva Museo Museum Oriol Maspons Palabra E Imagen ab: The collection of books Palabra e Imagen from Lumen, which began in 1961, undoubtedly represents one of the major achievements of Spanish publishing in recent decades, not only for its exquisite and unique design, but also because the best Spanish narrators and photographers from the sixties took part in it. Today these books are expensive, almost luxury goods, and hard to find. In 2004, the Reina Sofia Museum in Madrid organized an exhibition of Spanish Photobooks from the 20 century, modeled to a large extent on books from this collection. Since then, these volumes have lost their primary function of being read and have become instead relics of Spanish cultural heritage. These photos are cultural products that can be considered as objects of memory that reveal, through their humanist documentary style, a reality of misery absent from the official rhetoric of the Franco regime. From a memory perspective, these photos attract attention nowadays as a collective snapshot that assaults our senses and that requires the new generation to acknowledge a debt from the past. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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