Miriam's Dance as Embodied Prophecy (Exodus 15:20–21).
The discursive labeling of Miriam as prophet constructs her drumming, dancing, and singing as prophetic acts; her actions simultaneously reshape the prophetic role as participatory, creative, and relational. A theoretical frame drawn from dance studies and the new materialist philosophy of Karen Bar...
| Publicado en: | Journal of Biblical Literature Vol. 143; no. 2; pp. 207 - 228 |
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| Formato: | Artículo |
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Society of Biblical Literature
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=178292503&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 178292503 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00219231 JBL jtl: Journal of Biblical Literature issn: 00219231 maglogo: N pubinfo: dt: 2024 vid: 143 iid: 2 pid: 11433 pub: Society of Biblical Literature artinfo: ui: 178292503 10.15699/jbl.1432.2024.2 ppf: 207 ppct: 21 formats: fmt: @attributes: type: P size: 558KB tig: atl: Miriam's Dance as Embodied Prophecy (Exodus 15:20–21). aug: au: Portier-Young, Anathea E. affil: Duke University Divinity School, Durham, NC 27708 su: Prophecy Prophets Dance Drum playing Bible. Exodus sug: subj: Prophecy Prophets Dance Drum playing Bible. Exodus ab: The discursive labeling of Miriam as prophet constructs her drumming, dancing, and singing as prophetic acts; her actions simultaneously reshape the prophetic role as participatory, creative, and relational. A theoretical frame drawn from dance studies and the new materialist philosophy of Karen Barad supports the argument that the drumming, dancing, and singing of Miriam and the women of Israel in Exod 15:20–21 are a prophetic performance that gives shape and expression to the subjectivity and agency of God and people after the moment of transition between the victory at the Reed Sea and the journey to Sinai. The collaborative prophetic activity of drumming, dance, and song celebrates divine dynamism and responsiveness, enacts healing for a traumatized people, and entrains their bodies for life in covenant community. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Biblical Literature is the property of Society of Biblical Literature and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Biblical Literature holder: Society of Biblical Literature dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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