Daughter, mother, widow: The making of the identities of Isabella d'Aragona.

This article examines performances of identity (as daughter, mother and widow) by Isabella d'Aragona (1470–1524) in three of her letters. Isabella's construction of self, drew on her status as a dynast of the House of Aragon and aimed at securing her future and promote the interests of her children....

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Publicado en:Gender & History Vol. 36; no. 2; pp. 353 - 369
Autor principal: von Güttner‐Sporzyński, Darius
Formato: Artículo
Publicado: Wiley-Blackwell Jul2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Daughter, mother, widow: The making of the identities of Isabella d'Aragona.
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        au: von Güttner‐Sporzyński, Darius
        affil: Faculty of Education and Arts, Australian Catholic University, Canberra ACT, , Australia
      su:
        Isabella, d'Aragona, Duchess of Milan, consort of Gian Galeazzo Sforza, Duke of Milan, 1470-1524
        Identity (Psychology)
        Self
        Letter writing
        Daughters
        Mothers
        Widows
      sug:
        subj:
          Isabella, d'Aragona, Duchess of Milan, consort of Gian Galeazzo Sforza, Duke of Milan, 1470-1524
          Identity (Psychology)
          Self
          Letter writing
          Daughters
          Mothers
          Widows
      ab: This article examines performances of identity (as daughter, mother and widow) by Isabella d'Aragona (1470–1524) in three of her letters. Isabella's construction of self, drew on her status as a dynast of the House of Aragon and aimed at securing her future and promote the interests of her children. The analysis of the language of letters, their context and their outcomes will contribute to the understanding of the use of letter‐writing as an effective rhetorical device, thus demonstrating that the epistolary genre was used by women to engage their male recipients in a persuasive negotiation.
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    language: English
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