Materializing Habit to Make Visible: The Chinese Lady and the spectacle of cultural framing.

This article investigates how the performance of Lloyd Suh's The Chinese Lady foregrounds the matter of visibility as a construct shaped by habitual patterns of perception, which in turn frames cultural bodies in ways that are marginalized, obscured and often misunderstood. Through the lens of habit...

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Detalles Bibliográficos
Publicado en:Performance Research Vol. 28; no. 6; pp. 69 - 73
Autor principal: Feng, Eddie Hanchen
Formato: Book Review
Publicado: Taylor & Francis Ltd Sep2023
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Acceso en línea:Ver este registro en EBSCOhost