The Capital Diaries: A New Selection.
Almost fifty years after the first publication of Sergei Eisenstein's "Notes for a Film of Capital" in the pages of October, "The Capital Diaries: A New Selection" presents extensive new extracts from the Soviet filmmaker's notebooks from 1927 and 1928, drawing from over five hundred pages of notes,...
| Publicado en: | October no. 188; pp. 25 - 105 |
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| Formato: | Artículo |
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MIT Press
Spring2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=178337153&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 178337153 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01622870 OCT jtl: October issn: 01622870 maglogo: N pubinfo: dt: Spring2024 iid: 188 pid: 776 pub: MIT Press artinfo: ui: 178337153 10.1162/octo_a_00516 ppf: 25 ppct: 80 formats: fmt: @attributes: type: P size: 59.1MB tig: atl: The Capital Diaries: A New Selection. aug: au: Eisenstein, Sergei su: Eisenstein, Sergei, 1898-1948 Filmmakers Clippings (Books, newspapers, etc.) Marx, Karl, 1818-1883 Image Joyce, James, 1882-1941 sug: subj: Eisenstein, Sergei, 1898-1948 Filmmakers Clippings (Books, newspapers, etc.) Marx, Karl, 1818-1883 Image Joyce, James, 1882-1941 ab: Almost fifty years after the first publication of Sergei Eisenstein's "Notes for a Film of Capital" in the pages of October, "The Capital Diaries: A New Selection" presents extensive new extracts from the Soviet filmmaker's notebooks from 1927 and 1928, drawing from over five hundred pages of notes, images, press clippings, drawings, and diagrams in which Eisenstein puzzles over his (unrealized) film based on Karl Marx's Das Kapital. This new selection emphasizes the experimental, diaristic, and proto-cinematic character of the material to present both a fuller sense of Eisenstein's work on the film and the central use of images to the process. What emerges is an autotheoretical experiment involving psychoanalysis (including the filmmaker's own), "intellectual attractions," typage (non-professional actors), the film October, and the many ways in which James Joyce's Ulysses, especially the "inner monologue," served as creative resources and experimental instruments for the Capital project. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of October is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: October holder: MIT Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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