Music and Affectivity in the Age of Artificial Intelligence.
Music and affects share a long history. In recent times, 4E cognitive sciences (embodied, embedded, enacted, and extended), situated affectivity, and related ecological theoretical frameworks have been conceptualizing music as a case of a tool for feeling. Drawing on this debate, I propose to furthe...
| Publicado en: | Topoi: An International Review of Philosophy Vol. 43; no. 3; pp. 725 - 736 |
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| Formato: | Artículo |
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Springer Nature
Aug2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=178445160&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 178445160 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01677411 NM2 jtl: Topoi: An International Review of Philosophy issn: 01677411 maglogo: N pubinfo: dt: Aug2024 vid: 43 iid: 3 pid: 237 pub: Springer Nature artinfo: ui: 178445160 10.1007/s11245-024-10050-x ppf: 725 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 815KB tig: atl: Music and Affectivity in the Age of Artificial Intelligence. aug: au: de Aguiar, Vinicius affil: https://ror.org/01c27hj86 Centro de Filosofia das Ciências da Universidade de Lisboa, Faculdade de Ciências, Universidade de Lisboa, 1749-016, Lisboa, Portugal su: Artificial intelligence Digital music Affect (Psychology) sug: subj: Artificial intelligence Digital music Affect (Psychology) keyword: Music curation Music recommendation Music streaming Musical affective affordances Situated affectivity ab: Music and affects share a long history. In recent times, 4E cognitive sciences (embodied, embedded, enacted, and extended), situated affectivity, and related ecological theoretical frameworks have been conceptualizing music as a case of a tool for feeling. Drawing on this debate, I propose to further theorize the role of music in situating our affectivity by analyzing how the very affective affordances of music are technologically situated. In other words, I propose to shift the attention from music as a tool for feeling to the tools for feeling music. I argue that the experience of music as a tool for feeling may be altered, enhanced, or lessened depending on the tools for feeling music. I investigate the extent to which AI might be a case of a tool for feeling music and examine the influence it could exert over musical affectivity. I conclude that AI can be considered a tool for feeling music of curatorial type and that the limitations and/or biases of AI as a method risk lessening the power of musical affective affordances. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Topoi: An International Review of Philosophy is a copyright of Springer, 2024. All Rights Reserved. item: Topoi: An International Review of Philosophy holder: Springer Nature dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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