Post-Trump masculinity in popular romance novels.
As an almost exclusively female-dominated medium, the popular romance novel has, throughout its history, allowed women writers to "amplify their political voice" (Teo, 2016, p. 102), especially when they could not actively participate in politics. Commonly, writers fashion storylines that reflect an...
| Publicado en: | Neohelicon Vol. 51; no. 1; pp. 163 - 185 |
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| Formato: | Artículo |
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Springer Nature
Jun2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=178460232&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 178460232 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03244652 OK8 jtl: Neohelicon issn: 03244652 maglogo: N pubinfo: dt: Jun2024 vid: 51 iid: 1 pid: 237 pub: Springer Nature artinfo: ui: 178460232 10.1007/s11059-024-00731-2 ppf: 163 ppct: 22 formats: fmt: – @attributes: type: T – @attributes: type: P size: 899KB tig: atl: Post-Trump masculinity in popular romance novels. aug: au: Kluger, Johanna affil: https://ror.org/041nas322 Rheinische Friedrich-Wilhelms-Universität Bonn, Bonn, Germany su: Masculinity in literature Social influence MacLean, Sarah Power (Social sciences) Phenotypes sug: subj: Masculinity in literature Social influence MacLean, Sarah Power (Social sciences) Phenotypes keyword: Genre fiction Historical subgenres Romance hero Romance novels Sexual dynamics US politics ab: As an almost exclusively female-dominated medium, the popular romance novel has, throughout its history, allowed women writers to "amplify their political voice" (Teo, 2016, p. 102), especially when they could not actively participate in politics. Commonly, writers fashion storylines that reflect and process concerns from the real world in a fictional context. Using the Regency Romance as an example and based on Jayashree Kamblé's theory that romance novels have a shared DNA that evolves in response to social and cultural influences, this paper first defines the figure of the romance hero in the pre-Trump era to segue into analysing selected novels published by Tessa Dare in 2011 (A night to surrender) and Sarah MacLean in 2012 (A rogue by any other name). This figure is then compared and contrasted with the incarnations of the hero in these authors' publications from 2017 (The day of the duchess by MacLean) and 2019 (The wallflower wager by Dare) to map how his phenotype has evolved to reflect a shift in cultural perceptions regarding sex and sexual power dynamics. As I intend to show, in the wake of the 2016 US presidential election and the "#MeToo" movement, the new hero's phenotype differs specifically in the expression of gendered power and sexuality. He is less forceful than his predecessors and places heavy emphasis on the heroine's enthusiastic consent and pleasure. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neohelicon is a copyright of Springer, 2024. All Rights Reserved. item: Neohelicon holder: Springer Nature dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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