'Entrances', 'Exits' or 'Nodes', 'Edges', 'Clusters'?: Simon Stone, & the Director as a 'Network Subject'.
Australian theatre director Simon Stone has emerged as a major presence on the European stage since the International Ibsen Festival presented his The Wild Duck 'after Ibsen', co-written with Chris Ryan, in 2012. Prior to Stone, Barrie Kosky and Benedict Andrews, the most influential directors of th...
| Publicado en: | Contemporary Theatre Review Vol. 34; no. 1; pp. 10 - 35 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=178559374&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 178559374 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10486801 7VS jtl: Contemporary Theatre Review issn: 10486801 maglogo: N pubinfo: dt: Feb2024 vid: 34 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 178559374 10.1080/10486801.2024.2315930 ppf: 10 ppct: 25 formats: fmt: – @attributes: type: T – @attributes: type: P size: 9.7MB tig: atl: 'Entrances', 'Exits' or 'Nodes', 'Edges', 'Clusters'?: Simon Stone, & the Director as a 'Network Subject'. aug: au: Hamilton, Margaret su: Stone, Simon Theatrical producers & directors Communication network analysis Theatrical scenery Andrews, Benedict sug: subj: Stone, Simon Theatrical producers & directors Communication network analysis Theatrical scenery Andrews, Benedict keyword: adaptation AusStage Barrie Kosky Benedict Andrews directing network analysis scenography Simon Stone ab: Australian theatre director Simon Stone has emerged as a major presence on the European stage since the International Ibsen Festival presented his The Wild Duck 'after Ibsen', co-written with Chris Ryan, in 2012. Prior to Stone, Barrie Kosky and Benedict Andrews, the most influential directors of their generation in Australia, had established themselves as internationally significant artists in Europe. This article explores Stone's imbrication in theatrical networks defined by Kosky and Andrews and the director as a relational phenomenon. It shifts analysis from the director as a singular subject to a network subject by deploying datasets held in AusStage () to firstly, chart the ecosystem of artists intrinsic to Stone's career in Australia and Europe, secondly, to anatomize the concept of the network subject by interrogating the reoccurring connections and patterns of participation constituting the director, thirdly, to examine correlations between Stone, Andrews, and Kosky and thereby the question of the transference of artistic influences and Australia's cultural relationship to Europe, and finally, to touch on the role of repertoire in Stone's theatrical endeavour. In doing so, the article contends that the intersecting relationships intrinsic to Stone's theatrical experience expose critical embodied junctures in the development of his directorial signature, and as such, constitute a means of identifying and measuring (circuits of) influence and aesthetic tendencies more broadly. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Theatre Review holder: Taylor & Francis Ltd dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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