Realities of Apartheid and Idyllic Futures: Afropessimism and Afro-Optimism in Magona's Mother to Mother.

Sindiwe Magona's novel Mother to Mother (1993) captures the grim realities of Apartheid through the portrayal of the murder of Fulbright white student Amy Biehl. As she fictionalises the real-life murder, Magona - through her narrator Mandisa - brings to light the plights and struggles of black Sout...

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Publicado en:English in Africa Vol. 51; no. 1; pp. 49 - 71
Autor principal: Lyons, Jessica D.
Formato: Artículo
Publicado: Institute for the Study of English in Africa May2024
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Lyons, Jessica D.
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        Mother to Mother (Book)
        Magona, Sindiwe
        Social mobility
        Apartheid
        Biehl, Amy
      sug:
        subj:
          Mother to Mother (Book)
          Magona, Sindiwe
          Social mobility
          Apartheid
          Biehl, Amy
      keyword:
        Afro-optimism
        Afropessimism
        antiblackness
        Sindiwe Magona
        South Africa
        Xhosa cattle-killing
      ab: Sindiwe Magona's novel Mother to Mother (1993) captures the grim realities of Apartheid through the portrayal of the murder of Fulbright white student Amy Biehl. As she fictionalises the real-life murder, Magona - through her narrator Mandisa - brings to light the plights and struggles of black South Africans under the Apartheid system in its final years. This is seen through the presentation of different forms of black mobility, the stagnant economic and cultural mobility and the regressive physical mobility the novel discusses. These forms of mobility, or lack thereof, represent a theme of Afropessimism, which is the pessimistic view of blacks in a given society and how their blackness becomes entrenched in politics of oppression. To accompany her discussion of Afropessimism, Magona also provides the foundation and discourse on Afro-optimism, the inverse of Afropessimism which sees the positive reinforcement and prediction of African people's past and future. This is done through Magona's discussion of the polarizing historical account of the Xhosa cattle-killing and the very form in which the novel is written, aiming to bridge the gap between the black, Mandisa, and the white, Amy Biehl's mother.
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