The Cross of Mars: Crusade Imagery and Theology in the Prologue to the Encounter with Cacciaguida (Par. xiv–xv).

Beginning with Innocent III's pontificate, participation in the crusades became increasingly interpreted as imitatio Christi patientis. Innocent III's crusade theology was revived by later pontiffs and became ingrained in the collective imagination through preaching. This article shows how Dante dra...

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Publicado en:Italian Studies Vol. 79; no. 2; pp. 107 - 121
Autor principal: Caccialupi, Gianluca
Formato: Artículo
Publicado: Taylor & Francis Ltd May2024
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Cross of Mars: Crusade Imagery and Theology in the Prologue to the Encounter with Cacciaguida (Par. xiv–xv).
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        au: Caccialupi, Gianluca
        affil: Trinity College Dublin
      su:
        Innocent III, Pope, 1160 or 61-1216
        Theology
        Ecclesiastical law
        Crusades (Middle Ages)
        Foreshadowing (Literature)
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          Theology
          Ecclesiastical law
          Crusades (Middle Ages)
          Foreshadowing (Literature)
          Innocent III, Pope, 1160 or 61-1216
      keyword:
        Cacciaguida
        crusades
        Dante
        militia Christi
        Paradiso
        preaching
        Cacciaguida
        crusades
        Dante
        militia Christi
        Paradiso
        preaching
      ab: Beginning with Innocent III's pontificate, participation in the crusades became increasingly interpreted as imitatio Christi patientis. Innocent III's crusade theology was revived by later pontiffs and became ingrained in the collective imagination through preaching. This article shows how Dante draws on thirteenth-century crusade theology in his depiction of the cross of Mars, with special attention paid to imitatio Christi. Dante's rendering of his inner sacrifice (Par. xiv, 88–93) foreshadows the apparition of the cross and appears to have been influenced by the imagery of the crusader's vow as found in contemporary ecclesiastical documents. In these texts, crusaders are frequently depicted as participating in an inner sacrifice prompted by the fire of caritas that recalls Christ's own sacrifice. Reading Paradisoxiv-xv in light of this context – and with an awareness of the significance of Cacciaguida's placement in the same heaven – allows us to explore Dante's self-representation as a miles Christi.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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