THE PRESENTATION OF POPULAR MUSIC IN YUGOSLAV SOCIALIST DISCOURSES (1945–1952).

This paper deals with popular (entertainment, dance or light) music in Yugoslav socialist discourses, in the period from 1945 to 1952. It is based on newspaper articles of the time, which provide insight into the ways in which the tension, contradictions and possibilities in everyday life related to...

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Publicado en:Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost Vol. 61; no. 1; pp. 153 - 172
Autor principal: POPOVSKA, DRAGICA
Formato: Artículo
Publicado: Institute of Ethnology & Folklore Research 2024
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Acceso en línea:Ver este registro en EBSCOhost
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        au: POPOVSKA, DRAGICA
        affil: Institute of National history Ss. Cyril and Methodius University in Skopje.
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        Popular music
        Dance music
        Dance
        Concerts
        Everyday life
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          Popular music
          Dance music
          Dance
          Concerts
          Everyday life
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        concerts
        dancing
        entertainment
        jazz
        popular music
        koncerti
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        popularna glazba
        zabava
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        This paper deals with popular (entertainment, dance or light) music in Yugoslav socialist discourses, in the period from 1945 to 1952. It is based on newspaper articles of the time, which provide insight into the ways in which the tension, contradictions and possibilities in everyday life related to music and dancing forms of entertainment, were identified. The analyzed data shows that there was an interaction of generative and restrictive practices in Yugoslav society. They indicate the way in which the image of popular music was shaped in the socialist discourse in the 1945–1952 period.
        Rad se bavi popularnom (zabavnom, plesnom ili laganom) glazbom kroz jugoslavenske socijalističke diskurse u razdoblju od 1945. od 1952. godine. Temeljen je na novinskim člancima toga vremena, koji pružaju uvid u načine na koje su identificirane napetosti, proturječnosti i mogućnosti u svakodnevnom životu vezane uz glazbene i plesne oblike zabave. Analiza podataka dobivenih kao rezultat istraživanja omogućuje praćenje interakcije generativnih i restriktivnih praksi u jugoslavenskom društvu. Ona ukazuje na to kako se oblikovala slika popularne glazbe u socijalističkom diskursu u spomenutom razdoblju.
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