| Sumario: | Drawing on the seminal work of feminist and queer theorist Judith Butler, this article compares the practice of gender impersonation in the South Indian dance form of Kuchipudi with American drag performance. While impersonation in Kuchipudi and American drag performance arise from radically distinct gendered, cultural, and religious contexts, the juxtaposition of these two seemingly disparate spheres generates a useful framework for comparison that illuminates new ways of interpreting gender and caste in contemporary South India. Focusing on the Kuchipudi dancer Vedantam Satyanarayana Sarma and the drag ball performer Venus Xtravaganza, this article analyzes the gender and caste norms of Kuchipudi dance in Telugu-speaking South India while outlining the limitations of Butler's theory of gender performativity.
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