(Un)doing Gender: The Ethnographic Significance of Mbube Dirge.

Although studies on death and dirge abound, there are fewer studies examining how gendered constructions are enabled in dirge rendition. This article examines how dirge performers in the Mbube communities of northern Cross River State, south-eastern Nigeria extend the dirge beyond mourning to do gen...

Descripción completa

Detalles Bibliográficos
Publicado en:African Studies Vol. 83; no. 1; pp. 40 - 57
Autores principales: Aboh, Romanus, Akung, Jonas, Ojima, Nathaniel
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=179638013&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 179638013
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00020184
        35L
      jtl: African Studies
      issn: 00020184
      maglogo: N
    pubinfo:
      dt: Mar2024
      vid: 83
      iid: 1
      pid: 377
      pub: Taylor & Francis Ltd
    artinfo:
      ui:
        179638013
        10.1080/00020184.2024.2362671
      ppf: 40
      ppct: 17
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 1.3MB
      tig:
        atl: (Un)doing Gender: The Ethnographic Significance of Mbube Dirge.
      aug:
        au:
          Aboh, Romanus
          Akung, Jonas
          Ojima, Nathaniel
        affil: University of Calabar, Nigeria
      su:
        Gender identity
        Thanatology
        Gender
        Ethnology
        Hegemony
      sug:
        subj:
          Gender identity
          Thanatology
          Gender
          Ethnology
          Hegemony
      keyword:
        (un)doing gender
        gendered identities
        Mbube dirge
        patriarchal norms
        resistance
      ab: Although studies on death and dirge abound, there are fewer studies examining how gendered constructions are enabled in dirge rendition. This article examines how dirge performers in the Mbube communities of northern Cross River State, south-eastern Nigeria extend the dirge beyond mourning to do gender work. Data for this study were collected through a six-month's qualitative ethnographic fieldwork. With insights drawn from Candace West and Don Zimmerman's (1987) concept of doing gender, the study accounts for how gendered identities are scripted in dirge rendition. The study illuminates how Mbube women take advantage of the uncensored and spontaneous nature of dirge, extend it beyond mourning to (un)do gender, to question patriarchal norms and to reconstruct the way women are perceived and constructed in the Mbube patriarchal space. This study contributes to growing body of research on gender(ing) by advancing understanding of how women performers employ dirge to subvert patriarchal hegemony.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of African Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: African Studies
      holder: Taylor & Francis Ltd
      dt:
        @attributes:
          year: 2024
    holdings:
      @attributes:
        islocal: N