Popular Modernism, Neoliberalism and Nationalism in the Australian New Wave: The Cars That Ate Paris (1974) and Gallipoli (1981).
Dominant narratives of the Australian New Wave tend to frame the efflorescence of national filmmaking in the 1970s through the lens of Gough Whitlam's brand of cultural nationalism. The narrative usually runs as follows: state-funded films tended to favour a conservative, genteel and respectable aes...
| Publicado en: | Journal of Australian Studies Vol. 48; no. 3; pp. 335 - 349 |
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| Autores principales: | , , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Sep2024
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |