Do the Parts Add Up? Textual Systems and Segments of Sijie Ji (The Four Seasons) in Ming Anthologies.
Sijie ji ... (The Four Seasons) is a set of four plays believed to have been composed in the mid-Ming. Each of these four plays is based on an episode related to a season in the lives of four famous literati: Du Fu (spring), Xie An (summer), Su Shi (autumn), and Tao Gu (winter). The full texts of th...
| Publicado en: | Journal of Chinese Ritual, Theatre & Folklore / Mínsú Qǔyì no. 225; pp. 17 - 58 |
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| Formato: | Artículo |
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Shih Ho-Cheng Folk Culture Foundation
Sep2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=179735382&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 179735382 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10251383 GYI6 jtl: Journal of Chinese Ritual, Theatre & Folklore / Mínsú Qǔyì issn: 10251383 maglogo: N pubinfo: dt: Sep2024 iid: 225 pid: 90126 pub: Shih Ho-Cheng Folk Culture Foundation artinfo: ui: 179735382 ppf: 17 ppct: 41 formats: fmt: @attributes: type: P size: 11MB tig: atl: Do the Parts Add Up? Textual Systems and Segments of Sijie Ji (The Four Seasons) in Ming Anthologies. aug: au: Tan Tian Yuan affil: Shaw Professor of Chinese, Faculty of Asian and Middle Eastern Studies, University of Oxford su: Spring Autumn Ming dynasty, China, 1368-1644 Geometric shapes Anthologies Winter sug: subj: Spring Autumn Ming dynasty, China, 1368-1644 Geometric shapes Anthologies Winter keyword: anthologies drama qu Sijie ji textual system ab: Sijie ji ... (The Four Seasons) is a set of four plays believed to have been composed in the mid-Ming. Each of these four plays is based on an episode related to a season in the lives of four famous literati: Du Fu (spring), Xie An (summer), Su Shi (autumn), and Tao Gu (winter). The full texts of these plays are no longer extant, but because they were widely popular during the Ming dynasty, excerpts of various shapes and forms can be found in more than twenty qu anthologies dating from as early as 1553. In other words, Sijie ji is a lost work, of which only certain parts are preserved, and exclusively so, through anthologies. How, for a work whose partial survival is closely connected to anthologies, do we approach this body of disparate, anthologized drama parts that all appear to be associated with Sijie ji? This paper explores the significance of reading these segments of Sijie ji not necessarily as parts of an elusive whole but instead as individual, meaningful textual units belonging to more than one textual system; it also considers the role of anthologies in textual relations and the circulation of knowledge within qu texts and across various genres. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Chinese Ritual, Theatre & Folklore / Mínsú Qǔyì is the property of Shih Ho-Cheng Folk Culture Foundation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Chinese Ritual, Theatre & Folklore / Mínsú Qǔyì holder: Shih Ho-Cheng Folk Culture Foundation dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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