Power + Fashion.
"Power dressing," itself a women's dress reform movement, as it came to be called in the 1970s, used to distinguish typical feminine dress styles and was seen as a necessary strategy for a more subdued image on par with the masculine, serious, and formal professional dress, namely the ubiquitous sui...
| Publicado en: | Foucault Studies no. 36; pp. 201 - 227 |
|---|---|
| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
University of Pennsylvania Press
Sep2024
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=179982696&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 179982696 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18325203 1COW jtl: Foucault Studies issn: 18325203 maglogo: N pubinfo: dt: Sep2024 iid: 36 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 179982696 10.22439/fs.i36.7230 ppf: 201 ppct: 26 formats: fmt: @attributes: type: P size: 3.5MB tig: atl: Power + Fashion. aug: au: GECZY, ADAM KARAMINAS, VICKI affil: University of Sydney, Australia & Massey University, Aotearoa-New Zealand su: Fashion Social control Dress codes Women's clothing Social interaction sug: subj: Fashion Social control Dress codes Women's clothing Social interaction keyword: dress fashion fashion semiology power subject-position ab: "Power dressing," itself a women's dress reform movement, as it came to be called in the 1970s, used to distinguish typical feminine dress styles and was seen as a necessary strategy for a more subdued image on par with the masculine, serious, and formal professional dress, namely the ubiquitous suit and tie. This new 'career' woman became visible by her appearance and choice of dress codes that reinforced her position as a businesswoman who was seriously committed to her work. But from the perspective of the first decades of the new millennium, power dressing and power and fashion have far wider meanings and ramifications. For Michel Foucault, power is a regulatory principle that is used to control social interactions and to impose structures that inform the ways in which we act and appear. In line with Foucault's analysis, to dress is already to respond to tacit frameworks of power, and because it involves already accepted codes of visualisation and behaviour, to "power dress" is not simply to wield or enact power voluntarily but to succumb to it as well. Further, as this paper will reveal, power dressing can also be understood according to Foucault's "technologies of self", which sees the historical subject as both subject and object of a network of discursive forces that are considered normative as opposed to constructed. Power dressing still exists today but according to a more nuanced and multivalent configuration. It can also be thought of as a particular form of renunciation that facilitates an embodiment of power much as religious asceticism and privation is (purportedly) constitutive of a more authentic self. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Foucault Studies is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Foucault Studies holder: University of Pennsylvania Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
|---|